How to shoot a low-key bodyscapesunday 11 june 2017, 12:24 by Elja Trum | 4,290 views | 0 comments
When shooting a low-key photo, you're making sure that dark colors are dominant in your image. This causes the attention of the viewer to be directed to the few lighter parts and creates a powerful photo. Recently I shot a low-key bodyscape and I will tell you how you can do this too.
A bodyscape is a photo where the (almost) nude body or a part of the body is the subject of the image. The models pose and the framing of the image are important. Also you want to make sure there isn't much distracting the viewer from the body. This is where low-key lighting is very useful.
The many black parts in the image above direct your attention to the lines and shapes that are visible. Your brain fills in much of the missing parts in this kind of images which is why the portrait still looks like a person instead of just a couple of lines.
Shooting the low-key bodyscape
Shooting this image isn't that hard. The setup is simple: a black background and one studio light with a stripped softbox. This is all you need for a photo like this.
I placed the studio light behind and to the right of model Marell and about a meter (3 feet) from the model. Below you can see the setup I used.
I used a Pentax 645Z and a 150mm lens, so in reality I was standing much further away from Marell than the image above indicates.
The stripped softbox ensures the lighting on Marell is the same from the top to the bottom. If you use a regular softbox you will get a less evenly lit bodyscape.
To find the pose that worked best I let Marell slowly turn around a full 360 degrees. This allowed me the shoot several photos and check what worked best. And of course we tried several other different poses with the same lighting so I could select the best image after the shoot.
As you can see I converted the image to black-and-white. There was little colour to begin with and this only distracted from the image. Most bodyscapes are converted to black-and-white, so I would recommend at least trying it for your image too.
In the original image there was still some detail shown on the 'dark side' of Marells body. By upping the shadows and blacks in Lightroom I created this look.
Also I used a adjustment brush to darken the dark parts. The softbox was visible in the original image and was removed with the adjustment brush. I used the spot removal tool to remove some minor blemishes on the models skin.
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How to photograph a low-key studio portrait
by Elja Trum
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